14/11/2022
19 July. Freya and her mum Annie knocked the door. Freya, future bride, had a very clear idea of what she wanted. She didn’t want dresses that are laced or beaded, but fell in love with satin.
Freya showed me some pictures of gowns, and I made the sketches. Taking her favourite elements from the dresses she sampled, we toyed with some styles. Fairly quickly, a concept emerged.
The most important part in this process was Freya’s trip to Sydney to select the fabric. I provided some links of materials I thought would work best for the chosen style.
Soon after, the design was fixed and the muslin prototype dress (toile, a new word for Freya&Mum) was in progress. In the following weeks, fittings were made as the sketch we created materialized before our eyes. For me, this is the most defining part of the process with custom dresses.
Most wedding gowns, after purchase, require alterations. A tuck here, a seam let out there and at the very least, a hem. But a custom gown addresses these issues from the start. Every custom gown is different, but the common denominator is the fit. It is specifically tailored to each bride.
By September, the wedding satin was cut and Freya’s final dress was ready on 1 October, 5 weeks prior to the wedding. Even though she had spent some time trying on the prototype, there was still something magical about wearing the finished gown for the first time. Even for me, that moment was special.
My absolute favourite part of making a dress is the joy on the bride’s face when she tries on her finished gown. It is a culmination of her vision and reflects the authentic, unique beauty of who she is.
Congratulations to a beautiful couple!