MANDALA

12/10/2021

Permítase estar orgulloso de sí mismo y de todo el progreso que ha logrado. Especialmente todo el progreso que nadie más puede ver.
Namasté 🧡🙏🏻 Buda

25/08/2021

Armoniza tus espacios con MANDALA!!!

04/06/2021

Forros para cojines!!! Muchos colores y diseños para darle vida a tu hogar!! Escríbenos 📝

03/06/2021

Tapetes!! Muchos diseños y colores!! 🇮🇳🇹🇷

31/05/2021

Set de individuales x4

24/05/2021

Tenemos diseños exclusivos para decorar tu hogar!!! Escríbenos para asesorarte y vivas la experiencia MANDALA

20/05/2021

Tapetes con diferentes orígenes, colores, tamaños y diseños....tenemos justo lo que tu hogar está pidiendo!!
🇹🇷

18/05/2021

Muchos diseños y colores disponibles para nuestras Mandalas multiusos!!!

22/09/2020

🌍🌎🌏

20/09/2020

🧘🏻‍♂️🍃🙏🏻

Son cuatro horas de calma y reflexión para 30 integrantes del Escuadrón Móvil Antidisturbios (Esmad).

14/09/2020

India: Kailashnath Temple, Ellora Caves complex. From a glance at the photo by my wife Santha Faiia (Santha Hancock) it's hard to realise the scale, but find the people in the shot and you'll begin to get the idea.

The temple, which is intended to symbolize Mount Kailash in the Himalayas, mystical abode of the god Shiva, ranks very high amongst the most remarkable edifices I've had the good fortune to visit anywhere in the world. It was not “built” but was sculpted in one piece out of the solid basalt bedrock of the area. It is estimated that close to half a million tons of this very hard igneous rock had to be removed, cutting downwards from the top to isolate the core body of what would become the temple before the mass of intricate relief carvings were begun. So far as I am aware none of the tools used to create this stunning monument have ever been found and it beggars belief how the work was done with the rather simple technology that archaeologists tell us was available in India in the 26-year reign (757-783 AD) of King Krishna I of the Rashtrakuta Dynasty. Either there is something wrong with archaeological understanding of the technology of that epoch – very likely in my view – or with the time-frame attributed to the temple, or both. But however it was done it is undoubtedly a tribute to ancient Indian craftsmanship and aesthetics on an exceptionally grand and breathtaking scale.