Tutia Schaad

Tutia Schaad Kontaktinformationen, Karte und Wegbeschreibungen, Kontaktformulare, Öffnungszeiten, Dienstleistungen, Bewertungen, Fotos, Videos und Ankündigungen von Tutia Schaad, Design & Mode, Berlin.

Design  Model .mes Fitting - 4th semester    Out of Darkness, Light EmergesExploring contrast through material manipulat...
11/06/2026

Design
Model .mes
Fitting - 4th semester




Out of Darkness, Light Emerges

Exploring contrast through material manipulation. Pigmented latex applied to wool creates a stone-like surface, while black and beige threads build a woven texture, expressing the balance between light and shadow.

15/04/2026

It was a pleasure to be jury at for this semester project.

In this post: a project of Lucie Zimmermann and Delia Du Pasquier in which Craftmanship and AI intertwined in the creative process and its representation.

„Through artificial intelligence we project our own appearance in order to fullfill the emptyness left by our modern society. This full latex project proves that those machines nourished by prompts and images will never be a real human.“

Module:
„Matière et donnée : un processus co-créatif pour repenser la mode“
HEAD x The Fabricant






Module lecturer: Sabine Schechinger
Assistant: Myrtilles Georges

.vpl Bachelor collectionLookbook
10/04/2026

.vpl
Bachelor collection

Lookbook





Coming soon Costumes for „The R**e of Lucrece: a Casting“,directed by Lola Arias at Theater Basel Premiere 14.03.2026«Oh...
06/03/2026

Coming soon
Costumes for „The R**e of Lucrece: a Casting“,

directed by Lola Arias at Theater Basel
Premiere 14.03.2026

«Oh! she lost what was worth more to her than life.»
William Shakespeare

A group of actors and an author attempt to stage Shakespeare’s poem ‹Die Schändung der Lucretia›. They hold auditions for all the roles, analyze the text, act out the situations, and connect them to their own experiences. Between scenes, they sing and play in a band that transforms all the anger and pain into music. Sexual violence is omnipresent and political. Countless stories, songs, films, and images of assault shape our culture. Director Lola Arias bases her play on research and conversations with victims of violence, artists, and philosophers. What images come to mind when we say the word r**e? How much silence, fear, and shame do we carry with us? How is sexual violence embedded in our bodies and in society?

Artistic team
Inszenierung – Lola Arias
Bühne – Dominic Huber .blendwerk
Kostüme – Tutia Schaad
Sounddesign – Joël Fonsegrive, Elia Rediger
Video – Mikko Gaestel
Lichtdesign – Mario Bubic
Dramaturgie – Bibiana Mendes

Cast
Ntando Cele
Barbara Colceriu
Phil Hayes
Laura Leupi
Julian Anatol Schneider
Live-Musik – Joël Fonsegrive .fonsegrive rediger

Text: Theater Basel




02/03/2026
Creating costumes for „Unfulfilled Ghost and Monster-The Coral / Maruyama-cho“ at  in Yokohama, Japan was an impactful e...
23/02/2026

Creating costumes for „Unfulfilled Ghost and Monster-The Coral / Maruyama-cho“ at in Yokohama, Japan was an impactful experience.

The latest piece of Toshiki Okada is structured on Noh-Theater form, involving music, drama and dance performance.

I was able to work on location with incredible performers:





kiyoshima_official

Music: Kazu Uchihashi
Singer: Anna Sato .s0822

Thank you to for making this collaboration possible.

Performances:
Feb 13 – Mar 1, 2026
KAAT Kanagawa Arts Theatre (Yokohama/Japan )

Mar 7 – 8, 2026
Hyogo Performing Arts Center (Hyogo/Japan )

Mar 15, 2026
RYUTOPIA Niigata City Performing Arts Center (Niigata/Japan )

Mar 21 – 22, 2026
ROHM Theatre Kyoto (Kyoto/Japan )

Congratulations to Marie-Louise — alumna of our Fashion Design program at Macromedia — whose work is featured in the Dec...
25/11/2025

Congratulations to Marie-Louise — alumna of our Fashion Design program at Macromedia — whose work is featured in the December issue of VOGUE Germany ( #44).
Marie-Louise graduated in 2024 and received the Craftsmanship Prize at the Best Graduates Award at Neo.Fashion. e.V. 2024 during Berlinfashionweek. Since then, her label has been featured in numerous magazines and curated fashion platforms, including Berliner Salon in Summer 2025. Her practice reflects a deep sensitivity to craft and materiality, and the “narrative depth” highlighted by VOGUE beautifully captures her clear, coherent, and enduring design vision.

We are proud to see her journey evolve — and to see Slow Fashion and craftsmanship celebrated on such a significant platform.


Designer: .mueller
Head of Editorial Content:
Fashion Features Director:
Editor and Stylist:
Foto:
Model: Grace

Cover Star: .ternes
Foto:
Styling:

Marie is an alumna in Fashion of
University of Applied Sciences

Interdisciplinary Project Material development by student Nguyen Ngoc Uyen My with
06/11/2025

Interdisciplinary Project

Material development by student Nguyen Ngoc Uyen My
with




Interdisciplinary project Bio-materials, orange skins byalbo.hoffman
06/11/2025

Interdisciplinary project
Bio-materials, orange skins byalbo.hoffman





Impressive art piece by Jeewi Lee & Phillip C. Reiner, exhibited at the Festival of Future Nows 2025, at   ——Festival of...
04/11/2025

Impressive art piece by Jeewi Lee & Phillip C. Reiner, exhibited at the Festival of Future Nows 2025, at

——
Festival of Future Nows
Institut für Raumexperimente e.V.

Fragment-Proximity_Sa-Ràpita_23-41 investigates a single grain of sand on Mallorca’s Sa Ràpita coast. Created in collaboration with geometry researcher Phillip C. Reiner, it is part of a collection of sand grains from coastal locations all over the world. The grain was imaged by a nano-CT scanner and converted into 3D computer models that served as the basis for the sculpture. Using 3D printing and sand, the grain was enlarged by a factor of roughly one thousand, turning it into a monumental sculpture.

Jeewi Lee makes what normally remains invisible into a tactile landscape of itself. Composed of bits of stone, shell and mineral, sand is used to manufacture concrete, glass and microchips; to filter water; to build cities; and for countless other purposes. Our world is literally built on sand.

Although sand is a metaphor for the infinite, it is also a resource that is disappearing everywhere due to massive mining operations. Global consumption is on the order of fifty billion tonnes a year. At the same time, sand is also a habitat, a reservoir and a symbol of time. Every grain of sand testifies to bygone geological eras and bears traces of past ecosystems and erosional processes, reminding us that even the smallest thing is intimately bound up with daily life as well as global trends including everyday consumerism, capitalism, and resource scarcity.

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Berlin

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