Burg & Schild

Burg & Schild Shop for men’s clothing, denim goods, boots and accessories featuring brands such : Iron Heart , W

Burg & Schild, located between Alexanderplatz and Hackescher Markt in Berlin-Mitte, specializes in japanese denim and american workwear

Since 2007, the Burg & Schild men’s shop has been offering an impressive selection of high quality items from the following brands: Iron Heart, Indigofera, Edwin, The Real McCoy's, Yuketen, Stetson, Orgueil, Sugar Cane, Tricker's, Simmons Bilt, Buzz Rickson's, W

arehouse and many more. This curated assortment of men´s wear from around the globe contains both classics and new interpretations of many styles. Since 2013 you can also shop online at Burg & Schild - www.burgundschild.com.

I don’t care who you are or what you do, you’re always going to be well served by having a bandana somewhere close at ha...
09/09/2026

I don’t care who you are or what you do, you’re always going to be well served by having a bandana somewhere close at hand. In your bag, back pocket, around your neck—wherever. It’s a bit like carrying a keyring or a pocket knife: sooner or later there’s going to be a moment in the day when you’re glad it’s there.

That’s also why we like finding really good ones from the brands we already love, especially when they find new ways to play with something as familiar as the classic bandana.

For the Loa Bandana, Indigofera once again handed things over to their long-time collaborator Björn Atldax. At this point, their relationship seems to have reached the ideal stage of any collaboration: here’s the canvas, go and do whatever you want. The result is Björn’s unmistakable artwork worked into two very different colourways—Off-White / Black / Rust and Pink.

Made in Japan from 100% cotton, the Loa uses a lightweight cotton voile rather than a heavier conventional bandana cloth. Voile has a fine, airy and slightly open structure with a soft hand, which means it folds down easily, ties comfortably and takes up almost no space in a pocket or bag.

Which is useful, because that’s exactly where a bandana belongs until the inevitable moment you need it.

Sadly, this is going to be the final Aljosha post — at least for a while. But as you can see, Uncle Kay has kitted his n...
08/09/2026

Sadly, this is going to be the final Aljosha post — at least for a while. But as you can see, Uncle Kay has kitted his nephew out rather well before sending him on his merry way back to Munich.

First up, what he’s carrying his kit in: the VASCO VS-200L Leather Duffle Bag. Based on the elongated tubular “Bon Sac” used by marines for their personal belongings, it’s made in Japan from VASCO’s wonderfully characterful OLD OIL cowhide.

The vegetable-tanned Himeji leather is hand-dyed using the traditional Oka-Zome technique, oiled and given a Kogashi finish, creating that beautifully irregular surface. It already looks like it has stories to tell, and with use it’ll only get better: darker, shinier and increasingly individual. Solid brass hardware, WALDES zip, cotton canvas lining and a detachable shoulder strap finish things off.

On his feet are John Lofgren LK-042 N-1 Field Shoes, better known as Boondockers, in natural Horween roughout. Based on WWII US Navy footwear, they’re made in Japan around a last developed from an original pair, with Lofgren even developing the soles and heels to echo the originals.

That military-to-city-street theme continues with orSlow Fatigue Pants. Based on the OG-107 utility trousers that eventually escaped the military and found favour with everyone from hippies to punks, orSlow’s washed cotton sateen version somehow has the vibe of that once-in-a-lifetime perfect thrift-store find.

Keeping things cosy and adding some texture is The Real McCoy’s US Army Military Thermal Shirt in a beautiful milky off-white.

And topping everything off is TCB’s Late S40’s Type I Jacket, this time in incredible 14oz black-warp/black-weft selvedge denim. Short, boxy and faithful to the late-1940s proportions, it’ll gradually travel from deep inky black through anthracite towards silvery grey as it’s worn.

So, will his friends and family still recognise him?

Then again, people have returned from an extended stay in Berlin looking a lot worse than this.

First things first: a wallet chain is an object of almost perfect practicality.It is a chain. For your wallet.One end at...
07/09/2026

First things first: a wallet chain is an object of almost perfect practicality.

It is a chain. For your wallet.

One end attaches to the wallet, the other to you, thereby ensuring that you, your wallet and — probably more importantly — the contents of said wallet all remain in roughly the same place.

It does exactly what it says on the tin. A very simple solution to a timeless problem.

But how did something so fundamentally practical become such an iconic accessory?

The modern wallet chain has its roots in American road culture, becoming associated particularly with bikers and long-haul truckers around the middle of the 20th century. If you spend your life on the road, keeping your cash, documents and other essentials physically attached to you makes quite a lot of sense. On a motorcycle, wind, vibration and movement can gradually work a wallet out of a back pocket. Clip it to yourself and problem solved.

For truckers, the principle was much the same. Long days and nights spent moving between trucks, diners, gas stations and motels meant a wallet was something you really didn’t want to leave behind.

And, while we’re sure nobody involved in either culture ever stopped at a bar along the way and became slightly less attentive to the contents of their pockets, the chain presumably didn’t hurt there either.

But practicality has a funny habit of developing an aesthetic of its own.

As biker culture became increasingly intertwined with ideas of independence, rebellion and the open road, the chain became part of the look. Punk picked it up in the 1970s, followed by metal, grunge, skate culture and the alternative scenes of the ’80s, ’90s and early 2000s. Somewhere along that journey, a piece of hardware designed simply to stop you losing your wallet became a cultural signifier in its own right.

Which is perhaps why the wallet chain has endured.

It looks cool.

But, more importantly, it still does its one very simple job extremely well.

And you don’t need a motorcycle to appreciate that.

It’s always nice to welcome a new brand to Burg & Schild, and this time it’s one with a serious obsession for denim hist...
06/09/2026

It’s always nice to welcome a new brand to Burg & Schild, and this time it’s one with a serious obsession for denim history: TCB Jeans.

Founded by Hajime Inoue in Kojima, Okayama, TCB approaches vintage American workwear from the perspective of a manufacturer. With its own sewing factory, the question isn’t how to reinvent an old garment, but how it was actually made: the fabric, thread, machines, construction and even the little inconsistencies that gave the originals their character.

For our first TCB outfit, we’ve picked two pieces that capture a fascinating period: the point where denim was beginning its journey from blue-collar workwear towards the cultural phenomenon it would become.

By the 1950s and early ’60s, Hollywood rebels, rock ’n’ roll and youth culture were transforming garments associated with miners, farmers and factory workers into symbols of independence and nonconformity.

Here, TCB’s 50’s Regular Straight Jeans meet their 60’s Jacket, taking us through that transition in one outfit.

The jeans use 13.5oz Zimbabwean cotton selvedge denim with an irregular surface that develops increasingly vertical fades. TCB goes wonderfully deep on construction too, using four thread colours and five thread weights to recreate the varied stitching of the vintage original. The cut is high-rise, generous through the thigh and gently tapered.

Up top, the 60’s Jacket takes us into the Type III era: shorter, sharper and more fitted than the Type I and II jackets before it. TCB makes theirs from hairy, slubby 13oz San Joaquin cotton selvedge denim, again obsessing over the original construction.

Two garments separated by roughly a decade, capturing the point where denim stopped being simply workwear and became something much bigger.

A pretty good introduction to TCB.

And it looks like Uncle Kay has been setting Aljoscha some homework while he’s in Berlin. Here he is studying up with David Marx’s brilliant Ametora — the story of how Japan took American style, made it its own and ultimately became one of the world’s great authorities on denim. Required reading around here, apparently.

Now, what do you think? Did we suddenly get a massive boost in budget and start using the same de-ageing software they u...
04/09/2026

Now, what do you think? Did we suddenly get a massive boost in budget and start using the same de-ageing software they used in The Irishman? You know, the movie where they spent an obscene amount of money making Robert De Niro and Joe Pesci look younger?

Or is Kay’s nephew Aljoscha up in Berlin for the week doing a little work experience?

Because the similarities are definitely there. The jawline. The beard. The inability to look directly into the camera. The tendency to stare thoughtfully at something happening somewhere just outside the frame. And, of course, that very, very enviable hairline.

Anyway, back to the clothes.

Aljoscha is dressed in an almost entirely orSlow outfit, with a little help from The Real McCoy’s keeping his britches up and a pair of John Lofgren N-1s keeping the Berlin streets away from his feet.

And why don’t we start with those?

The John Lofgren US Navy N-1 Field Shoes — or Boondockers — are based on the field shoes issued to US Navy personnel during WWII. Interestingly, the nickname “Boondocker” traces back to the Tagalog word bundok, meaning mountain or remote area, which entered American military slang through the Philippines. Lofgren’s version is made in Japan from Horween roughout leather, built around a last developed from an original pair, right down to Japanese-made soles and heels modelled after the wartime originals.

Moving up, we have orSlow’s take on another piece of American military clothing that travelled far beyond its original purpose: the Fatigue Pants. Better known in military terminology as OG-107s, these simple olive utility trousers became ubiquitous in the US military before being enthusiastically adopted by civilian culture. Hippies, punks, artists, anti-war protesters — the fatigue somehow managed to become almost as much a symbol of the counterculture as it had been of the military. orSlow recreates that familiar silhouette in beautifully washed cotton sateen.

Up top is the orSlow Chambray Shirt, another deceptively simple American workwear staple. Made from lightweight 4.5oz chambray with cat-eye buttons and patch chest pockets, it’s exactly the sort of thing orSlow does so well: nothing unnecessary, nothing reinvented for the sake of it, just a really good version of something that has worked for generations.

And finally, keeping those fatigues exactly where they should be is The Real McCoy’s Uniform Belt, itself based on belts issued to US Army personnel during the Vietnam era, with its simple cotton/nylon webbing and brass buckle.

Well, well… that went fast.The Levi’s Vintage Clothing 1942 501 sold out almost instantly. If anything, it shows both th...
03/09/2026

Well, well… that went fast.

The Levi’s Vintage Clothing 1942 501 sold out almost instantly. If anything, it shows both the enduring love for the 501 and the fascination that we denim geeks still have with these very particular moments in its history.

But sold out or not, we still think it’s a story worth telling. Because, like every iteration of the 501, the 1942 tells us something about how one of the world’s most recognisable garments became what it is today.

And if this particular rabbit hole is your thing, you can dive quite a bit deeper. We’ve got a few of our favourite iterations of the 501 over on the website, each representing a different chapter in its evolution.

So, back to 1942…

If we think of the Levi’s 501, we tend to think of something almost entirely timeless. A sartorial classic, a workwear icon, and a garment so deeply cemented into almost every facet of culture that, at this point, we can probably call it genuinely universal.

But the 501 isn’t a static garment.

Across its more than 150-year history, it has constantly evolved, responding to changes in manufacturing, materials, economics and, occasionally, the course of history itself. And that’s exactly what makes the Levi’s Vintage Clothing 1942 501 Jeans such a fascinating iteration.

Because the 1942 501 existed somewhere between what the 501 had been and what it was about to become.

By 1942, Levi’s was beginning to move towards the heavier denim that would come to define the 501 for decades to follow. Here, that means a 12oz shrink-to-fit selvedge denim. But while the fabric was looking forward, the construction was still carrying some wonderful remnants of the previous era.

The cinch back was still there, complete with its buckle. The yoke seam was constructed in the older inverted fashion, sitting over the leg panel rather than underneath it. There were hidden rivets, a single-needle arcuate, the single-sided Big E Red Tab and, of course, the Two Horse leather patch.

And then history intervened.

America’s entry into the Second World War brought material restrictions and simplification to clothing production. Within the following years, details such as the cinch back would disappear and the 501 would move decisively into its wartime form. That makes this particular combination of heavier denim and older construction details an extraordinarily brief moment in the evolution of the jean.

It’s precisely the sort of thing that Levi’s Vintage Clothing does so well. Rather than simply reproducing an old pair of jeans, they’ve recreated a very specific point in the 501’s development, stitch for stitch from an original 1942 example, right down to the original-style flasher and dollar bill.

A pair of jeans caught between two eras.

And a reminder that even one of the most timeless garments ever made has never really stood still.

This is a Limited edition with only 800 pairs being produced world wide. Each pair is individually numbered.

#501

The Warehouse & Co. Lot 1082 West Point Chino.⁠⁠Chinos have deeper military roots than most people realise. The name is ...
02/09/2026

The Warehouse & Co. Lot 1082 West Point Chino.⁠

Chinos have deeper military roots than most people realise. The name is generally traced to American Spanish and the cotton twill fabric known as chino. By the 1940s, cotton chino trousers had become a familiar part of U.S. Army dress and workwear—practical, durable, and well suited to warmer climates.⁠

The Lot 1082 is Warehouse & Co.'s tribute to that piece of military history, based on classic U.S. Army chinos from the 1940s. As ever, they've gone to great lengths to reproduce the details of the original, from the construction and hardware to the characteristic high-rise, straight-leg cut.⁠

The fabric itself is sulfur-dyed, with both warp and weft spun from combed yarns—giving it that glossy, deep tone that only gets richer with age.⁠

Unlike denim, these won't fade dramatically. Instead, they bed in slowly, developing a quieter, more personal kind of character with every wear.

Today's full fit, worn by Lenny.⁠⁠The Simmons Bilt "Youth of America" is back.⁠⁠Made exclusively for Burg & Schild, the ...
01/09/2026

Today's full fit, worn by Lenny.⁠

The Simmons Bilt "Youth of America" is back.⁠

Made exclusively for Burg & Schild, the jacket brings together two icons of American motorcycle wear: the 1950s Highwayman and the slimmer 1960s Café Racer. We tweaked the proportions for today without losing what made the originals so good.⁠

Cut from heavy full grain horsehide. Dense, stiff and built to take a beating. It won't feel broken in from day one — that's the point. Give it some wear and your body will do the rest. Every hide carries its own marks, grain and character.⁠

New in: Indigofera's Durango Pants in "Prima Stripe Coalbone". Japanese selvedge twill with a fine stripe, drawing from the hickory and ticking fabrics of old American workwear and railroad clothing.⁠

Underneath, Velva Sheen's classic Crew Neck T-Shirt. American cotton, vintage circular knitting machines, loopwheeled jersey and no side seams. Comes as a 2-pack.⁠

On his feet: Double Helix's Detonator 11.0 "702". An 11-inch engineer boot rooted in 1930s and 40s work and motorcycle footwear. Horsebutt leather, leather lining, Goodyear welt construction and a cork-rubber sole — made to be worn hard and resoled when the time comes.⁠

Finished with Barnes & Moore's Slim Garrison Belt. 32mm wide, vegetable tanned and handmade in the UK.

There's a reason the Alden 403 picked up the nickname "Indy Boot"—once a certain famous archaeologist-adventurer started...
31/08/2026

There's a reason the Alden 403 picked up the nickname "Indy Boot"—once a certain famous archaeologist-adventurer started wearing it on screen, that association just stuck.⁠

But strip away the film reference, and what's left is one of America's most respected boots, made by one of America's longest-established shoemakers. Alden was founded in Middleborough, Massachusetts in 1884 and remains the only original New England shoe and bootmaker still operating today. The company continues to build its footwear in the traditional welted manner it has become known for.⁠

The 403 itself is a genuinely versatile design—one that's always taken well to different leathers and sole combinations over the years.⁠

This version pairs a rugged Commando sole with S***f Suede uppers. Give it time, wear it properly, and that suede will slowly develop a rich, deep patina—ageing exactly the way good leather should.

A rucksack has one job above all: survive daily life without falling apart. Leather does that better than almost anythin...
31/08/2026

A rucksack has one job above all: survive daily life without falling apart. Leather does that better than almost anything else—tough, good-looking, and only getting better with wear.⁠

Which brings us to Vasco, a small leather goods maker out of Koenji, Tokyo.⁠

Their Roll Top Rucksack takes its cues from vintage outdoor backpacks, built from heavy-duty cowhide out of the Himeji Tannery in Japan. The tannery still vegetable-tans by hand, using traditional dyeing techniques and oils that give the leather its deep colour and worn-in, vintage look from day one.⁠

The design itself stays refreshingly simple—a classic roll-top built for everyday use. A rear zip gives quick access without having to open the whole thing up, there's an exterior pocket for the small stuff, and the roll top itself adjusts to however much you're carrying that day.

Adresse

Rosa-Luxemburg-Str. 3
Berlin
10178

Öffnungszeiten

Montag 11:00 - 19:00
Dienstag 11:00 - 19:00
Mittwoch 11:00 - 19:00
Donnerstag 11:00 - 19:00
Freitag 11:00 - 19:00
Samstag 11:00 - 19:00

Telefon

+493024630501

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