MARINE SERRE

MARINE SERRE To love is to repair

The collection imagines a woman defined by presence rather than display. She is composed rather than decorated, revealed...
20/03/2026

The collection imagines a woman defined by presence rather than display. She is composed rather than decorated, revealed rather than transformed. Garments are conceived as extensions of the body: second skins shaped by movement, memory and use.

Photographer: Arash Khaksari
Model 1: Nyaluak Gatluak
Model 2: Ambre Roumeau .gurl
Casting director: at
Lighting assistant 1: Jolan Pery .pery
Lighting assistant 2: Mariane Asseily
Set designer: Sylvain Cabout
Styling: Benoit Bethume
Styling assistant 1: Marine Lescieux
Styling assistant 2: Eliott Marchet
Hair Pablo Kuemin:
Assistant Hair: Sundia Wen .xwx
Makeup: Jenneke Croubels
Assistante Makeup: Lucie Arjalas

18/03/2026

The making of Time Armor Dress (250 hours of work)
The construction is based on a meticulous assembly system: each case back is connected to the next by metal rings, forming cross-shaped links that create a flexible yet structured network.

The Flemish Painters Dress (84 hours of work)
The piece is composed of 18 upcycled white shirts crafted from exceptional cottons, combined with upcycled black technical jersey. Each shirt was first washed, dismantled and carefully pressed before being re-cut and reassembled into a new silhouette.

Queen Tracee Ellis Ross at the 2026 Vanity Fair Party Red Carpet - in the Marine Serre CoutureLook 05.
16/03/2026

Queen Tracee Ellis Ross at the 2026 Vanity Fair Party Red Carpet - in the Marine Serre Couture
Look 05.

13/03/2026

The making of Time Armor Dress (250 hours of work)
The construction is based on a meticulous assembly system: each case back is connected to the next by metal rings, forming cross-shaped links that create a flexible yet structured network.

The Flemish Painters Dress (84 hours of work)
The piece is composed of 18 upcycled white shirts crafted from exceptional cottons, combined with upcycled black technical jersey. Each shirt was first washed, dismantled and carefully pressed before being re-cut and reassembled into a new silhouette.

MARINE SERRE AND THE LOUVRETime Armor Dress (250 hours of work)Constructed from 500 dismantled watch case backs, the dre...
08/03/2026

MARINE SERRE AND THE LOUVRE
Time Armor Dress (250 hours of work)
Constructed from 500 dismantled watch case backs, the dress revealing the usually concealed structures of timepieces — engraved metal plates, technical markings and mechanical components hidden beneath the dial. The piece draws inspiration from medieval armor represented in engravings and sketches preserved at the Louvre, where chain mail functioned simultaneously as protection, ornament and symbol.

Model: Aluel Makuach
Photographer: Alice Mann
Lighting assistant: Vincenzo Sassu
Digitech: Theo Hagege
Groomer: Elisa Paulmin
Production: Art Sphere .paris
Shot at Musée du Louvre Préristyle Mollien

MARINE SERRE AND THE LOUVREFlemish Painters Dress (84 hours of work)Inspired by the great Flemish painters, this dress r...
07/03/2026

MARINE SERRE AND THE LOUVRE
Flemish Painters Dress (84 hours of work)
Inspired by the great Flemish painters, this dress returns to the essence of the House: the dialogue between technical construction and elevated form. It explores the tension between structure and movement, discipline and sensuality. The piece is composed of 18 upcycled white shirts crafted from exceptional cottons, combined with upcycled black technical jersey.

Model: Aluel Makuach
Photographer: Alice Mann
Lighting assistant: Vincenzo Sassu
Digitech: Theo Hagege
Groomer: Elisa Paulmin
Production: Art Sphere .paris
Shot at Musée du Louvre Spanish Painting Galleries

06/03/2026

The making of La Joconde Dress (420 hours of work)
Disassembled into nearly 3,000 puzzle pieces, the artwork sheds its museum-bound stillness to become movement, texture and living surface. As the fragments reconnect along the silhouette, the familiar portrait shifts in scale and rhythm, transformed by motion and corporeality.

Embroidered Mesh Dress with Brushes (390 hours of work)
This long mesh gown, defined by its halterneck and open-back silhouette, is constructed around an exceptional embroidery composed of 850 makeup brushes.

MARINE SERRE AND THE LOUVREBustier Dress with Recycled Paint Tubes (240 hours of work )This short bustier dress is const...
06/03/2026

MARINE SERRE AND THE LOUVRE
Bustier Dress with Recycled Paint Tubes (240 hours of work )
This short bustier dress is constructed on a dense mesh base and entirely covered with nearly 500 recycled paint tubes in varied colors, assembled to create a contemporary armor. The paint tube, as a medium of pictorial creation, it establishes a direct dialogue with the museum and its collections: behind every exhibited artwork lies material, gesture and transformation. Usually confined to the privacy of the studio, the object is here elevated to the status of adornment.

Model: Aluel Makuach
Photographer: Alice Mann
Lighting assistant: Vincenzo Sassu
Digitech: Theo Hagege
Groomer: Elisa Paulmin
Production: Art Sphere .paris
Shot at Musée du Louvre Préristyle Mollien

and at Le Grand Dîner du Louvre hosted by Musée du Louvre wearing MARINE SERRE ❤️
05/03/2026

and at Le Grand Dîner du Louvre hosted by Musée du Louvre wearing MARINE SERRE ❤️

The iconic at Le Grand Dîner du Louvre hosted by Musée du Louvre wearing the Embroidered Mesh Dress with Brushes, one ...
05/03/2026

The iconic at Le Grand Dîner du Louvre hosted by Musée du Louvre wearing the Embroidered Mesh Dress with Brushes, one of the five couture looks inspired by the Louvre, entirely embroidered with hundreds of brushes ❤️

Glad to attend Le Grand Dîner du Louvre hosted by Musée du Louvre 🫶🏼Make up: .nakamura24 Hair:
04/03/2026

Glad to attend Le Grand Dîner du Louvre hosted by Musée du Louvre 🫶🏼

Make up: .nakamura24
Hair:

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