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Lena Erziak

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Lena Erziak

I want a man that is like a purse; looks good on your arm, carries your things, and hopefully matches your shoes.

Lena Erziak handbags are characterized by a timeless sophistication and elegance. Sisters Leona and Hasna have created their handbags, for the discerning woman who wants something different, yet understated, chic and truly one of a kind. As little girls, growing up in a multi-cultural Belgian-Moroccan family of artists, sisters Leona and Hasna Erziak always dreamed of starting their own handbag li

ne. After their experiences in styling French celebrities, decorating Riads in Marrakech, and traveling around the world, they have finally realized this ambition. Leona and Hasna have unveiled their new line, Lena Erziak. Their handbags are a true representation of the sister’s creative flair and unique visions. The bags are all handmade in Italy, of the finest materials, and constructed by the most talented artisans Florence has to offer. Marked by the signature tassel, each bag was designed with attention to both the interior and exterior finishing, making this a refined line of accessories.

04/09/2026

MODERN MUSE - LOOK 22
A blush salmon hand-pleated gown constructed over an internal corset. The pleated panels are draped across the bust, sculpted into pronounced volumes at the hips and raised asymmetrically over one shoulder before falling into a long train. Ivory opera gloves are adorned with flowers at the wrists.
Designed by Leona Erziak
PR Méphistophélès Press&Prod.

03/09/2026

MELANCHOLIA - LOOK 10
The body and its double.
Hundreds of hours of meticulous plumasserie shape the black feather mini dress, building its dense, sculptural volume feather by feather. Beside it, a black velvet tuxedo bolero is worked with tonal embroidery, its sharply cropped construction giving way to dramatically elongated sleeves. One silhouette inhabited. The other waiting.
Designed by Leona Erziak
PR Méphistophélès Press&Prod.

02/09/2026

LUISA CASATI’S GARDEN-LOOK 18
The garden takes possession of the body.
A structured corseted body forms the architectural foundation beneath a sheer, floor-length emerald gown. Hand-applied feathers trace the neckline, cuffs and sweeping train, transforming every movement into extravagant plumage.
A nocturnal apparition; half woman, half untamed garden.
Designed by Leona Erziak
PR Méphistophélès Press&Prod.

01/09/2026

MODERN MUSE- LOOK 5
Gown in deep rubis drap de soie, constructed with a built-in corset. Hand-laced through the center, the corset extends into sculptural basques that frame the hips. Two three-dimensional cat paws emerge from either side, holding the woman by the waist. This surrealist gesture brings the creation to life: the woman does not simply wear the gown and the gown holds her.
The drap de soie is gathered into a deep front drape before descending into a long, fluid train. Entirely handcrafted using traditional haute couture techniques.
Designed by Leona Erziak
PR: Méphistophélès Press&Prod.

31/08/2026

IRON SAKURA - LOOK 16
Fully hand beaded black gown featuring a twisted off-the-shoulder bodice with long sleeves and a cut-out midriff. Fitted fourreau skirt with a high front slit, extending into a flared train composed of scalloped panels embroidered with black beads. Designed by Leona Erziak
PR: Méphistophélès Press&Prod.

30/08/2026

Iron Sakura - Look 20
For this piece - we explored material not only for what it is, but for what it can become. This elongated fourreau gown is cut in liquid faille, deliberately worked on its reverse side. By turning the textile inside out, its usual luminosity gives way to a quieter, more restrained surface, while preserving the fluidity and natural spring of the fabric.
The purity of the column is interrupted at the wrists by sculptural volumes, engineered from the same liquid faille and gathered into controlled folds. A high neckline and precisely constructed bodice maintain the severity of the line, allowing proportion and textile to become the ornament. The reverse of the fabric becomes its new face.
Designed by Leona Erziak.

PR Méphistophélès Press&Prod.

28/08/2026

Melancholia - Look 20
For this piece we reduced the language of tailoring to line, proportion and absence.
Conceived as a single structured fourreau gown, the silhouette borrows the codes of tailoring and integrates them directly into the construction of the dress. Defined shoulders, a precisely shaped waist and an open centre create a controlled architecture around the body. The fourreau line continues uninterrupted from the hips to the floor, maintaining the discipline and precision of the upper construction throughout the silhouette.
Designed by Leona Erziak.

PR Méphistophélès Press&Prod.

27/08/2026

Hollywood - Look 7
The Hollywood Collection explores glamour trought the old Hollywood Era. Crafted from heritage silk taffeta, the silhouette plays with the contrast between the fabric’s structured character and areas of near-weightless transparency. Sheer panels are integrated into the construction and punctuated with intricate hand embroidery, allowing embellishment to appear suspended directly against the body.
The taffeta gives definition and volume to the silhouette; transparency interrupts its solidity; embroidery brings light and detail to the surface.
Designed by Leona Erziak.

PR Méphistophélès Press&Prod.

26/08/2026

Hollywood - Look 14
The Hollywood Collection explores glamour through scale, movement and the construction of an image. Cut in violet heritage silk taffeta, the dress and its monumental cape are conceived as one continuous couture construction. Rather than being layered over the look, the cape is integrated directly into the garment, expanding from the upper silhouette into sweeping volumes and an elongated train.
The crisp character of silk taffeta allows those proportions to hold their shape while responding dramatically to movement. At the centre, a short skirt is built through a dense feather composition, individually worked and layered to create a softer, tactile volume against the architecture of the taffeta.
Two materials are treated according to their opposing qualities: taffeta for structure and amplitude; feathers for texture and movement.
Designed by Leona Erziak.

PR Méphistophélès Press&Prod.

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Paris

Site Web

http://www.lenaerziak.com/

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