IFM Alumni

ifm-alumni.fr IFM ALUMNI regroupe l'ensemble des diplômés des cycles de Management, de Création, de Luxury, d'Entrepreneur et de GFM de l'IFM.

Ce groupe a pour but d'animer notre réseau en suivant l'actualité des diplômés mais aussi de promouvoir les différents évènements et activités qui sont proposés aux cotisants. NOTRE RÉSEAU EST NOTRE TRÉSOR, ANIMONS-LE !

01/09/2026

Curious to see who’s hiding behind these AI characters? Join us at the upcoming Rencontres de Faverolles, Forum de la Mode on the 12th.
Link in bio to register for a full day of conversations, inspiration and community.

22/08/2026

Designer Ju Bao Ju (IFM Paris MA Fashion Design 2023) gives us a glimpse into his creative journey

“Spring 2025, I was still in Milan. The residence permit had been pending for months; most days felt the same. But today I’d attend Design Week with friends.

Upon waking, I check my embroidery first. A clear mind and rested eyes are essential.

BAM Park is my favorite place in Milan. Daises, cornflowers, buttercups, and poppies are exquisite. Solar power is essential to me, so I come here everyday.

It was Milan Design week. We kept moving from one venue to another, queuing along the way. Open showrooms were everywhere in the city center, and expressive works were always to be found.

Back home, I turned on my favorite horror story radio, and resume my embroidery. Good night ;)”

21/07/2026

In the second episode of Inside Faverolles, fashion historian and .revue co-founder asks our alumni and to share their impressions and experiences of Les Rencontres de Faverolles.

If you want to check out this year’s program and speakers, see link in bio

Editing
Sound Design .falleur

09/07/2026

What have our alumni been up to lately?

amandine_leost featured in NYLON France
HYSTERIA, the brand’s SS27 collection, presented during Paris Fashion Week
Behind the scenes of the ifmfashionba Graduate show, featured in i-D
A visit to the MARTIN MARGIELA PERSONAL ARCHIVES at MAURICE AUCTION
“Why proper crediting matters” by 1 Granary featuring our alumni Tidjane Tall Mathieu Goosse IFM Paris MA Fashion Design ifmfashionba

25/06/2026

Fétiche, an interview series where alumni reveal themselves through their loves and obsessions.

shares her ‘fétiche’ object, imbued with the poetic attention to detail that is also reflected in her clothing brand .

Interviews
Filming and Editing

11/06/2026

You are all familiar with the « Rencontres de Faverolles », but have you ever wondered how it all began? Fashion historian and .revue co-founder investigates in our new short documentary series « Inside Faverolles ».

Filming and Editing
Sound Design .falleur

29/05/2026

Fétiche, an interview series where alumni reveal themselves through their loves and obsessions.

Sometimes we come across an object at a very early age; it stays with us throughout our lives and becomes a source of guidance. Artistic Director of (ECSCP 1989) has experienced this first-hand.

Interviews
Filming and Editing

14/05/2026

Second edition of a selection of young IFM Alumni talents we love and recommend you follow. 
MA Fashion Design 2022
BA Fashion Design 2022
BA Fashion Design 2022
BA Fashion Design 2022

07/05/2026

I am .auralavergne ( MA Fashion Design 2021) and I am a spatial designer in fashion events.
I started my career at and I am now at .

A creative day in the world of events is rarely linear.

My days often begin with calls to coordinate the different teams involved. A project is never built alone, it evolves through constant exchange. Everything then becomes a balance between creative intention and technical constraints: we adjust, we check, we decide.

There’s also the material research phase: finding the right tones, testing, comparing, understanding how things will actually look and behave. It’s a very hands-on, almost experimental process.

On a daily basis, I work with a range of profiles from all over the world, creative, technical, production, graphic… and this diversity is what moves the projects forward. We usually handle several projects at once, with site visits to follow progress, adjust, and anticipate what comes next. At the same time, drawing remains central: plans, 3D, visual tests, everything that helps project and refine before production.

And then comes the show. Observing, feeling, understanding.
That’s when everything becomes real, and when you start thinking about how to make it even better next time.

Credits
Margot Traoré (the girl with black sunglasses)
Instagram:

Visible show project

05/05/2026

’s Cultural Notes

“If you spent the better part of your academic training defending the intellectual seriousness of costume history to people who considered it a slightly embarrassing hobby, the last four fashion weeks have offered a particular kind of quiet satisfaction. The basque jacket is everywhere. Engageantes are back as ruffled lace cuffs from under coat sleeves. Martingales have reappeared on outerwear without anyone seeming to know the word for them.
What is being signaled by a Brandenburg closure or a peplum jacket is, in most cases, not the technique itself but its silhouette. The passementerie is machine-stitched. The basque requires no more construction expertise than a straight hem. What historical detail provides is borrowed semiotic authority: the visual grammar of specialist work, reproduced at speed across every price point. The depth of field of the past without the actual cost. The sign of rootedness, not the roots.
The vocabulary driving all of this spent decades being considered too specialized for serious fashion discourse. It counts, at the very least, as a rather good joke.”

Read the full piece on Julie’s Substack.
Link in bio.

Julie Pont, MS 2014, is an independent creative & strategy director  Images

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