Weavers Studio

Weavers Studio Shop at - https://weaversstudio.in/shop Our designs not only cater to the Indian markets but also to International markets. We hope to continue doing more good.

A bridge between the ancient arts and connoisseurs of rich textiles, at Weaver's Studio we truly believe in - using as many hands as possible to create garments worth treasuring for years to come! Having been in the field of textiles since the past 22 years, Weavers Studio, founded by Mrs Darshan Shah, has established its position by setting up hand-block printing, hand weaving, hand embroidery, v

alue addition and tailoring units in the vicinity of Kolkata, employing 250 plus crafts persons directly and many more indirectly, to produce authentic, intricate and traditional Indian textiles. We try to find that delicate balance between vibrant Indian designs and western/contemporary silhouettes. The designs that come out of our studio are a fresh outlook on traditional wear, lending it an easy grace and elegance while maintaining cuts that don’t overwhelm the wearer. We host a diverse range of Indian craftsmanship with our pieces sporting everything from Kantha work to Shibori and Jamdani. Today, besides epitomizing ancient Indian weaving techniques, we also want to apex weaving India’s rich art & culture onto one platform. Our three production units, Rangeen, together employ close to a 100 craftspeople producing approximately 700 meters of hand dyed, hand painted, hand block printed and tie dye cloth a day and another 500 craftspeople are employed for weaving, embroideries, surface decorations and tailoring. In addition to catering to the needs of our nationwide clientele for the last 22 years, we have been exporting through our export division "Veda Commercial Pvt. Ltd" under the brand name "Weavers Studio", having a strong international presence, in Japan, Europe and Australia for the last 19 years. We have worked on international films as well. We have a design repertoire consisting of more than 1,00,000 wooden blocks, 1000 plus screens, 2500 textile and fashion reference books, magazines and journals on textiles, fashion, 850 old and rare textiles from India and abroad and a R & D team that has worked on topics as varied as Trade Textiles, Ocean Trade, Woven Cargoes, Khadi, Jamdani Indigo Dyeing in Africa, Vietnam, India, China, Thailand Japan and many others. Workshops are held at regular intervals for exchanging views and evolving new ideas at our Textile Resource Centre. This also helps to nurture awareness for textile design. It also conducts extensive studies in natural dyes, especially Indigo and research of trade textiles, their history and reproduction for revival and contemporary usage. The experience, textual knowledge and collectables that the studio has gained in the field of textiles over the years is presented in the library for the benefit of its employees, diploma project and design school students from fashion and design institutes like NIFT, INIFD, NID and Wigan & Leigh. They are encouraged to do their training, internship and diploma projects with this infrastructural support. Weaver’s Studio truly is attempting in every way to maintain India’s rich heritage in craftsmanship by collaborating it with modern techniques and in doing so we hope to create a niche of our own, one you keep returning to. Also, Mrs Darshan Shah has always believed in promoting the arts, in any form; performing and non-performing arts, such as music, dance, paintings, sculptures, theatre and movies. One of her efforts is Weavers Studio Centre for the Arts. It looks to garden talent and nurture creativity. We have a space in Kolkata, India that gives upcoming and established artists a space to perform/display their work. Another initiative is Weavers Studio Resource Centre. We have adopted a cluster of 9 villages in Bhangore 1 area of South 24 Paraganas with a vision of providing basic healthcare, sanitation, education & employment to the 4500 plus residents. So far, more than 1800 people have been medically assessed, treated for various ailments and given free medicines, 40 cataract surgeries done & more than 400 spectacles have been distributed at 7 general camps and free eye checkup was conducted at 13 primary schools for 1600 students.

Sannoes: A Forgotten Bengal TextileIn our recent blog, researcher Subham China  revisits Sannoes, a category of cotton c...
18/05/2026

Sannoes: A Forgotten Bengal Textile
In our recent blog, researcher Subham China revisits Sannoes, a category of cotton cloth recorded in the Ballasore trade documents of 1679. Through these records, the essay traces how textiles were classified, graded, and valued within early modern trade networks.
A closer look at how cloth moved through systems of measurement, negotiation, and exchange.

Read full story, link in bio.

Earlier this month, we gathered for From Roots to Revival where historian Rituparna Basu walked us through the long, lay...
17/05/2026

Earlier this month, we gathered for From Roots to Revival where historian Rituparna Basu walked us through the long, layered life of kantha. From the interiors of Bengal homes to the collections of Tagore, Coomaraswamy and Gurusaday Dutt, and onward into the hands of refugee women who, after Partition, found in the same stitch a way to begin again.
The evening closed with Threads, a documentary following Surayia Rahman and the women artisans of Bangladesh whose needles carry stories across borders.
A thank you to everyone who joined us, and to the stitch that keeps finding its way forward.
Join us for the next Textile Talk if you are in Kolkata. DM us your WhatsApp, and stay updated with our events.

In Good Company | Biren Kumar BasakBiren Kumar Basak began weaving at the age of eight, on a pit loom, with cotton yarn ...
14/05/2026

In Good Company | Biren Kumar Basak
Biren Kumar Basak began weaving at the age of eight, on a pit loom, with cotton yarn borrowed from his father. His family had recently migrated from Tangail to Phulia during partition, and the loom became, in effect, his school. Through the 1960s and 70s, he worked to bring the saris of Phulia to a wider audience, building his clientele patiently, one cloth at a time.
In 1987, he set up Biren Basak and Company in his own home with eight staff. He has since reimagined the Tangail Jamdani sari as a surface for narrative, weaving the Ramayana into a Dhakai over two and a half years, completing a sari of more than a lakh words, rendering Lord Ganesha in Jamdani. Each sari begins with a hand-drawn design, takes between six months and two years to weave, and gathers, slowly, the memory of where it came from.

For a craft that travels with its people, the loom is not only a tool but a kind of inheritance. Biren Kumar Basak has spent a lifetime tending to that inheritance, and to the weavers who carry it forward.

13/05/2026

The flowers had been her grandmother's habit, and
now they were hers. Gladioli in the season, and
afterwards, whatever the market offered. She
arranged them in the afternoons, when the house
was quietest, wearing the striped kurta she had
taken to wearing for no particular reason. The
camera sat nearby, as it always did. She rarely used it.
But she liked, sometimes, to lift it to her face, and to
be, for a moment, the one looking rather than the
one looked at.
Explore the collection. Link in bio.

A co-ord set for easy days and longer ones. For weather, for wandering, for wearing the same thing twice and meaning it....
11/05/2026

A co-ord set for easy days and longer ones. For weather, for wandering, for wearing the same thing twice and meaning it.

Shop Batiks through our link in bio.

Her closet was always the best one. A kaftan borrowed on a Tuesday. A long kurta that has somehow always belonged to bot...
10/05/2026

Her closet was always the best one. A kaftan borrowed on a Tuesday. A long kurta that has somehow always belonged to both of you.

This Mother's Day, begin a wardrobe worth sharing.

Explore the collection, The Shared Wardrobe. Link in bio.

04/05/2026

On National Textile Day, and we find ourselves in the archives with an Anteng, an early twentieth-century Balinese breast wrapper in silk.
There is a way of looking at certain cloths where you stop reading them and begin to feel their weather. This Anteng gathers the eye into its plum field with small circles, lozenges, the resist-dyed shimmer the Balinese call masir, before settling along the zigzag tumpal at its hem, where the cloth marks its own sacred boundary. From the archives, with Darshan.

Dive into our Archives
Appointments: [email protected]

29/04/2026

The afternoon will come again. It always does, for her. The same light through the same window.
She will reach for something to wear and not think about it, which is the only way she has ever known how to choose.

Explore the collection. Link in bio.

Team:
Creative Direction & Styling :
Photography:
Videography:
Hair & Makeup:
Muse: , .saha
Words:
Manchaha carpet by
Jewellery by and

She was thinking about a conversation she never had. The one she has been composing for years. The right words finally a...
28/04/2026

She was thinking about a conversation she never had. The one she has been composing for years. The right words finally arriving now, here, in this chair, when there is no one to say them to.
The drink went warm. She didn't notice.
The Afternoon / Now live

Team:
Creative Direction & Styling :
Photography:
Videography:
Hair & Makeup:
Muse: , .saha
Words:
Manchaha carpet by
Jewellery by and

Address

5/1 Anil Moitra Road, 1st Floor
Kolkata

Opening Hours

Monday 10am - 6:30pm
Tuesday 10am - 6:30pm
Wednesday 10am - 6:30pm
Thursday 10am - 6:30pm
Friday 10am - 6:30pm
Saturday 10am - 6:30pm
Sunday 10am - 6:30pm

Telephone

+919831159080

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