Piacenza 1733 fabrics

Piacenza 1733 fabrics Top-quality fleeces and fabrics for tailoring and haute couture. Consciously made in Italy since 1733

18/06/2026

The loom working aimlessly, caught in a beautiful, infinite loop.

In this quiet stillness, thousands of parallel threads hang in perfect suspension - a silent geometry of structure.
15/06/2026

In this quiet stillness, thousands of parallel threads hang in perfect suspension - a silent geometry of structure.

11/06/2026

The loom: where the architecture of textiles begin. It is a calculated dance of warp and weft, where thousands of parallel threads are disciplined by the reed and interlaced by the shuttle. Helping hands follow this process with a quiet reverence, bridging the gap between mechanized precision and human intuition.

The yarn represents the first complete form of the spinning process: collected, ordered, and ready for weaving.
08/06/2026

The yarn represents the first complete form of the spinning process: collected, ordered, and ready for weaving.

Behind the spinning machines, skilled hands ensure stability, precision, and continuity, translating technical movement ...
04/06/2026

Behind the spinning machines, skilled hands ensure stability, precision, and continuity, translating technical movement into quality. In this interplay between machine and human, craft and expertise converge.

29/05/2026

The process of spinning marks the decisive transformation from fibre to yarn. Through a controlled insertion, the sliver is drawn out and consolidated into a continuous, cohesive thread. This stage defines the yarn’s strength, fineness, and character, translating the quality of the fibre into a regular structure.

Simon Crompton of  in our Dunes camelhair fabric. “Camel colour like this is not always the easiest to wear as a blazer,...
22/05/2026

Simon Crompton of in our Dunes camelhair fabric. “Camel colour like this is not always the easiest to wear as a blazer,” Simon says, “but it can look really good when dressed down with blue jeans and a casual white shirt.”

A finished camelhair jacket made for Simon Crompton of . In his words, “The cloth from Piacenza proved to be a good choi...
20/05/2026

A finished camelhair jacket made for Simon Crompton of . In his words, “The cloth from Piacenza proved to be a good choice - I haven’t used them much before, but the cashmere and camelhair jacketings are really lovely. This one is from the Dunes book and they’re all mid-weight (340g) with a luxurious-feeling brushed finish.”

 in Naples show the behind-the-scenes stages in making a beautiful camelhair jacket in our Dunes fabric for Simon Crompt...
18/05/2026

in Naples show the behind-the-scenes stages in making a beautiful camelhair jacket in our Dunes fabric for Simon Crompton of . Note the distinctive rounded fronts typical of the Neapolitan jacket, and the subtly curved patch pocket.

From the carding machine emerges the card sliver: a continuous, untwisted strand of fibre. At this stage, individual fib...
11/05/2026

From the carding machine emerges the card sliver: a continuous, untwisted strand of fibre. At this stage, individual fibres are opened, aligned, and gently consolidated, revealing the intrinsic character of the raw material. Uniformity and cohesion begin here, establishing the structural integrity required for all subsequent processes.

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