Adiré̩ Ẹlẹ́kọ is a practise unique to Nigeria which is currently under threat of dying out. The Adiré̩ trade, which is practised all over Nigeria, but more commonly in the North, and South-West of Nigeria, has lost popularity to current fashion trends of the West. Adiré̩ Ẹlẹ́kọ specifically, is the use of starch paste made primarily from cassava flour. This style of Adiré̩ was once a form of commu
nication and storytelling. Every pattern has a name and story; often the stories are words of advice from the elders, or a form of documenting social, economic and environmental conditions. Today, we often see these patterns on artwork or modern day printed fabrics. We know these patterns to be authentically Nigerian, yet do not know the meanings. As Nigerian Art becomes a focal point of international alternative investments, it is the perfect time to cease this opportunity to spread the message. By getting the message out there, and making it as widely known and accessible as the Adinkra symbols of Ghana, producers will know the significance of what they are producing. The reality is MANY of those practising Adiré̩ Batik today, or artists incorporating the patterns in artwork, sculptures and contemporary clothing, know only that the patterns are aesthetically pleasing, yet know little about the history. Nigerian observers will be entitled to a sense of pride that their rich culture is being documented and passed on to future generations, and it will give more validation to international investors. Losing our Heritage…
There are only few existing Adiré̩ Ẹlẹ́kọ artists that know the authentic pattern meanings. Those that do, are likely to be above the age of 80, and have no means to document the significance of the patterns. It is unfortunate, as with most of our culturally rich heritage, that in the process of developing, we lose, of suffer from a diluted version of what once existed. The history of Nigeria is often seen through the eyes of the British, as we fail to document our own history. It is my hope to leave behind a creative footprint of knowledge. Currently, there is a lot of information available on Adiré̩ making, but little to no information, on the significance of the patterns. The little there is, are from sources who were not able to provide a full bodied description, just a name - and often, due to the language barrier, it is the wrong name. There are currently no publications existing on the pattern name interpretations; what they stood for? why they hold such significance they needed to be documented? and the advice the elders were trying to pass on.