01/02/2016
With an all female lineup, The Sandberg Series is already entering its 10th cycle! All presented at Theater de Roode Bioscoop, don't miss this!
Sarah Tripp
16 February, 19.30
Sarah is an artist who writes and makes films. She teaches Fine Art on the MFA at Glasgow School of Art and is a visiting tutor at Goldsmiths. She co-produces an artist-led journal of art writing called Gnommero, and the festival of art and writing What we make with words. In 2013 she was commissioned by Camden Arts Centre, London to produce the film 24 Stops, which was developed while in residency at Camden in June. In 2014 she will have a book published by Book Works, London. She is concerned with the construction or character through our use to objects, space. and time. Tripp’s work evokes the desire for – and escape from – consistent character. Her works often draw on direct observation and choreograph disparate objects displaying episodic, narrative, and percussive traits.
Tripp’s Listening to Strangers will be a 30-minute event performed for a small, seated audience of thirty. The event will bring together three pieces entitled—7 Strangers, Studies of Practice and Practicing. By connecting observations of strangers with studies of creative practice, these pieces demonstrate my attempts to inhabit strangers’ workplaces: borrowing their tools and using their materials to make artworks.
Please not that space is very limited.
Pauline Boudry
15 March, 19.30
Pauline Boudry and Renate Lorenz have been working together in Berlin since 2007. Their staged films and film installations often start with a song, a picture, a film or a script from the past. They produce performances for the camera, staging the actions of individuals and groups living — indeed thriving — in defiance of normality, law and economics. Their films upset normative historical narratives, as figures across time are staged, projected and layered. Their performers are choreographers, artists and musicians, with whom they are having a long-term conversation about performance, the meaning of visibility since early modernity, the pathologization of bodies, but also about glamour and resistance.
Han-Gyeol Lie
19 April, 19.30
Han-Gyeol Lie, pianist, born in Marburg/Lahn in Germany is living and working in Vienna. Currently she is a senior lecturer at the Kunstuniversität Graz. She worked with Klaus Hellwig at the Universität der Künste Berlin, with Anatol Ugorski at the Hochschule für Musik Detmold and finished her diploma at the Hochschule für Musik Köln with Pierre-Laurent Aimard. 2004 she met her mentor Paul Badura-Skoda, who became her main influence. She performed in major halls like the Berliner Philharmonie or the Wiener Konzerthaus. Together with the philosopher Gabriele Geml she is founder and head of the association akut. Verein für Ästhetik und angewandte Kulturtheorie in Vienna. The main project in 2015/16 »Theodor Wiesengrund Adorno: Das kompositorische Werk« was awarded by the Ernst von Siemens-Musikstiftung.
Nina Beier
17 May, 19.30
Nina Beier’s practice charts lines of flight through the social and political problematics of representation and exchange, uncovering and re-shrouding phenomena so as to identify moments of conflict and correlation. One of her primary fields of interest is that of tracing the fidelity of meaning through the convoluted relationships between objects and images, pinpointing the various ways mediation mutates information from things to representations and back again—how images subsume or discard their referents to become distinct objects in their own right. Beier’s recent inquiries are centered on ubiquitous representations of things that appear on and within other things, questioning the ways objects at once are exhausted by human signification yet are not fully determined by language and apprehension.
NEW LOCATION
Theater de Roode Bioscoop, Haarlemmerplein 7, Amsterdam
Entrance: 5 euro or 3 Euro (concession)
Please note that doors will close at 20.00
For more information and tickets: www.roodebioscoop.nl
