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Contact information, map and directions, contact form, opening hours, services, ratings, photos, videos and announcements from Loop Garms, Clothing Store, 635 Veerasamy Road #01/148, Singapore.

🇸🇬 Wearable Stories/Vintage/Select Clothing Store
♻️ We Buy/Sell/Trade (Info on Instagram)
🕛 Fri-Sun 12pm to 7:30pm
🌎 WORLDWIDE SHIPPING
📍Jalan Besar MRT Exit B

04/06/2026

Before KAWS became the artist whose sculptures would tower over cities and sell for millions, he was quietly leaving his fingerprints across one of the most important streetwear brands on the planet.

Through his friendship with NIGO, KAWS became part of the wider BAPE universe in the early 2000s, a period when Japanese streetwear was reshaping youth culture worldwide. Their collaborations arrived before the modern era of endless brand partnerships, when a project still felt like the result of genuine creative chemistry rather than a marketing calendar.

Released in 2005, this tee captures that relationship in its purest form. No Companion. No Chum. No elaborate artwork. Just BAPE’s iconic Ape Head interrupted by KAWS’ unmistakable “XX” eyes.

Such a small alteration, yet it completely changes the mood. Part mascot, part graffiti intervention. The kind of graphic that feels obvious now only because it was so influential then.

Twenty years later, it still reads like a snapshot of a moment when streetwear, contemporary art and collecting culture were all beginning to overlap. Before the auctions. Before the museums. Before the world caught up.

𝗠𝗶𝗱 𝟬𝟬𝘀 𝗕𝗮𝗽𝗲 𝘅 𝗞𝗮𝘄𝘀 𝗔𝗽𝗲 𝗙𝗮𝗰𝗲 𝗧𝗲𝗲

03/06/2026

The more of his body Batou replaced with machinery, the more human he seemed.

That’s part of what makes Ghost in the Shell: Stand Alone Complex such a fascinating watch.

Set in a future where cybernetic enhancement is commonplace, the series follows Public Security Section 9, an elite unit tasked with tackling cybercrime, terrorism, political conspiracies, and the increasingly blurred boundary between man and machine.

Batou is one of Section 9’s most formidable operatives. A heavily cyberized former military soldier with enough firepower to level a room and a pair of cybernetic eyes that have become one of the franchise’s most iconic images.

Yet beneath all that hardware is arguably the most human character in the series.

The guy who worries about his teammates. The guy who dotes on his beloved basset hound, Gabriel. The guy who often grounds the series whenever its questions about identity, memory, and consciousness start getting a little too heavy.

Which is probably why Batou remains such a fan favourite.

In a series filled with hackers, cyborgs, and philosophical debates about what makes a person a person, Batou quietly reminds us that humanity was never stored in the body to begin with.

𝟬𝟬𝘀 𝗚𝗵𝗼𝘀𝘁 𝗶𝗻 𝘁𝗵𝗲 𝗦𝗵𝗲𝗹𝗹: 𝗦𝘁𝗮𝗻𝗱 𝗔𝗹𝗼𝗻𝗲 𝗖𝗼𝗺𝗽𝗹𝗲𝘅 ‘𝗕𝗮𝘁𝗼𝘂’ 𝗣𝗿𝗼𝗺𝗼 𝘁𝗲𝗲

30/05/2026

That’s right. I am Kira.
So what will you do?
Kill me here?

Listen carefully.
I am Kira.
And I am the God of the new world.

In the world as it is now, Kira is the law.
Kira is the one who maintains order.
I have already become justice itself.
The hope of the people of this world.

Will you kill me?
Are you really sure that’s the right thing to do?

𝐃𝐞𝐚𝐭𝐡 𝐍𝐨𝐭𝐞 𝐱 𝐆𝐫𝐚𝐧𝐢𝐩𝐡 𝐂𝐨𝐥𝐥𝐞𝐜𝐭𝐢𝐨𝐧 ‘𝐋𝐢𝐠𝐡𝐭 & 𝐑𝐲𝐮𝐤’ 𝐓𝐞𝐞

29/05/2026

There is something impossibly Y2K about Unplugged Boy. Not just because it was born in that era of pagers, hip-hop CDs, loose school uniforms and neon-lit arcades, but because it captures the exact emotional frequency of late-90s youth culture in South Korea. The story follows Chae Ji-yul, a regular high school girl tangled between affection, confusion, and the magnetic presence of Kang Hyun-gyeom, the “unplugged boy” himself: gentle, pure-hearted, impossibly sincere in a world already becoming cynical. Around them drifts Lee Rak, the lonely delinquent archetype carrying all the sharp edges of adolescence. It is romance, but also a coming-of-age portrait about teenagers trying to survive their own feelings before they even understand them.

The title itself says everything. “Unplugged” like the MTV sessions of the decade, stripped of distortion and artificial noise. The series wears that philosophy aesthetically. Its world feels acoustic. Soft pencil lines. Wide-eyed expressions. Rooftops at sunset. Boys in oversized streetwear listening to hip-hop to hide heartbreak. Girls carrying entire emotional universes behind ordinary schoolbags. Even when characters joke around or act exaggerated, there is a fragile sincerity underneath it all. Cheon Kye-young understood that teenagers often perform coolness while secretly wanting tenderness. The manhwa lives in that contradiction.

What makes it linger is how deeply it preserves a pre-digital loneliness. Before social media flattened emotion into constant visibility, people disappeared into themselves. Unplugged Boy feels full of train rides home with headphones on, handwritten notes folded into pockets, awkward silences after school, and the strange belief that music could explain feelings better than language ever could. It romanticizes youth without mocking its intensity. Even now, decades later, it feels less like reading a comic and more like uncovering a shoebox of faded polaroids from a generation trying very hard to look carefree while quietly falling apart.

𝐋𝐚𝐭𝐞 𝟗𝟎𝐬/𝐄𝐚𝐫𝐥𝐲 𝟎𝟎𝐬 𝐔𝐧𝐩𝐥𝐮𝐠𝐠𝐞𝐝 𝐁𝐨𝐲 𝐓𝐞𝐞

28/05/2026

「nothing happened…」

𝐋𝐚𝐭𝐞 𝟎𝟎𝐬 𝐁𝐚𝐥𝐞𝐧𝐨 𝐱 𝐎𝐧𝐞 𝐏𝐢𝐞𝐜𝐞 ‘𝐙𝐨𝐫𝐨’ 𝐒𝐰𝐞𝐚𝐭𝐬𝐡𝐢𝐫𝐭

27/05/2026

If you are a functioning adult this might hurt a little…

You know the script:

Study hard. Be practical. Get a stable job. Don’t make strange choices. Learn how to say “noted with thanks” without feeling anything.

Spend too much money on little treats because serotonin is now subscription-based. 
Tell your friends “bro damn shag” like it’s a personality trait.

And somewhere between your morning commute, your nth overpriced matcha, and staring blankly at the Grab app deciding if surge pricing is worth your emotional wellbeing, you start wondering:

Is this it?

That’s Solanin.

Inio Asano’s quietly devastating coming-of-age manga, originally serialised from 2005 to 2006, about young adults drifting through post-university uncertainty, shelved dreams, shaky relationships, and the creeping fear that everyone else figured life out faster than you.

At the centre is Inoue Meiko.
No grand archetype. No dramatic fantasy.
Just painfully human.

Someone who technically has the life she’s supposed to want, but still feels unsettled. Which, if you grew up in Singapore, probably hits a little too close.

Because we’re taught to optimise. Be sensible. Keep moving. Be grateful. So when emptiness shows up anyway, it feels almost illegal.

This tee comes from Inio Asano’s 20th anniversary girls collection, featuring one of his most emotionally resonant characters.

For the 2010 live-action adaptation starring Aoi Miyazaki, ASIAN KUNG-FU GENERATION performed “Solanin,” with lyrics written by Asano himself and music composed by Masafumi Gotoh.

Which explains why the song feels less like a tie-in, and more like the manga finding its own voice.

If you’ve ever stared at your ceiling at 1am wondering whether you’re building a life or just maintaining one, Solanin gets it.

𝐀𝐬𝐚𝐧𝐨 𝐈𝐧𝐢𝐨 𝟐𝟎𝐭𝐡 𝐀𝐧𝐧𝐢𝐯𝐞𝐫𝐬𝐚𝐫𝐲 𝐄𝐱𝐡𝐢𝐛𝐢𝐭𝐢𝐨𝐧 𝐆𝐢𝐫𝐥𝐬 𝐂𝐨𝐥𝐥𝐞𝐜𝐭𝐢𝐨𝐧 ‘𝐌𝐞𝐢𝐤𝐨/𝐒𝐨𝐥𝐚𝐧𝐢𝐧’ 𝐓𝐞𝐞

24/05/2026

This movie traumatised a generation before The Hunger Games even existed.

In 2000, Battle Royale hit cinemas and politely asked a very normal question: “Hey, have you ever killed a friend?”

Directed by Kinji Fukasaku and adapted from Koushun Takami’s 1999 novel, the film follows a near-fascist Japan where a class of junior high students is forced onto an island and made to eliminate each other until one survives.

Explosive collars. Teenage paranoia. Alliances that last about five minutes. The uncomfortable realisation that your loudest classmate would absolutely become a day-one problem.

Then there’s weber.

A Japanese label that’s become catnip for people obsessed with vintage pop culture tees. Rather than lazily reprinting old graphics, they approach merch like archivists with excellent taste, obsessing over fit, print texture, ageing treatments, and the kind of details that make something feel discovered instead of freshly made.

This piece comes from weber’s official Battle Royale collection, reimagining the film through that lens. Multi-hit BR survival programme graphics, sleeve insignias, and front-and-centre the immortal line:

“Today, I killed my best friend.”

Cheerful stuff. Exactly the kind of shirt that gets compliments from the right people and concern from everyone else.

𝑩𝒂𝒕𝒕𝒍𝒆 𝑹𝒐𝒚𝒂𝒍𝒆 𝒙 𝑾𝒆𝒃𝒆𝒓 𝑳/𝑺 𝑻𝒆𝒆

23/05/2026

.hack was a massive sci-fi franchise built around a fictional MMORPG called “The World,” spread across anime, PS2 games, novels, and manga that all connected together. .hack//Sign follows Tsukasa, a player who suddenly cannot log out of the game and slowly realizes something far stranger is happening inside the servers. Instead of nonstop battles, the series leaned into mystery, loneliness, and conversations about identity long before online life became inseparable from real life.
hack//Roots came later and focused on Haseo, an emotionally volatile player dragged into guild conflicts, betrayals, and rumors surrounding a legendary killer inside the game. What made the franchise stand out was how seriously it treated online worlds. Friendships, grudges, status, even grief all carried real emotional weight. Hanging around in towns, arguing in guild chats, chasing rare items. It understood MMO culture before most media even knew what that culture looked like.

That strange sincerity became its legacy. .hack arrived years before the wave of “trapped in a game” stories, but its real hook was never escapism. It was the uncomfortable idea that people sometimes become more honest, more vulnerable, and more alive through their avatars than they ever do in reality.

𝐄𝐚𝐫𝐥𝐲 𝟎𝟎𝐬 .𝐡𝐚𝐜𝐤//𝐒𝐢𝐠𝐧 𝐏𝐫𝐨𝐦𝐨 𝐓𝐞𝐞
𝐌𝐢𝐝 𝟎𝟎𝐬 .𝐡𝐚𝐜𝐤//𝐑𝐨𝐨𝐭𝐬 𝐏𝐫𝐨𝐦𝐨 𝐓𝐞𝐞

22/05/2026

When Michael Jackson: The Immortal World Tour launched in 2011, it did something unusual for a posthumous tribute: it refused to behave like a memorial. Created by Cirque du Soleil with the Michael Jackson estate, the show grossed roughly $371 million across 501 shows, becoming the highest-grossing tribute tour ever and the most successful touring production in Cirque history. The timing mattered. Jackson had died only two years earlier, yet audiences were already participating in something larger than mourning. Immortal turned Michael Jackson from a person into permanent live mythology: the glove, the lean, the silhouette appearing through smoke before “Smooth Criminal.” A concert became a resurrection machine.

What made Immortal culturally strange was how openly synthetic it was. Jackson’s recordings were rebuilt into giant theatrical collages while Cirque performers translated his choreography into acrobatics and aerial work. It was nostalgia operating less like memory and more like infrastructure. Immortal accelerated Jackson’s shift from tabloid subject back into untouchable pop architecture by reframing him as pure sensation: rhythm, image, spectacle. That same instinct now exists in the new biopic Michael, produced with involvement from the estate and starring his nephew Jaafar Jackson.

The connection between Immortal and the biopic is not simply nostalgia. It is succession planning. Both projects understand that Michael Jackson now exists less as a former celebrity and more as inherited cultural language. Younger audiences who never saw him alive still recognize the fedora tilt instantly. Immortal proved audiences would pay not just to remember Michael Jackson, but to briefly inhabit a world where he still felt omnipresent. The biopic arrives from that exact blueprint.

𝟐𝟎𝟏𝟏 𝐌𝐢𝐜𝐡𝐚𝐞𝐥 𝐉𝐚𝐜𝐤𝐬𝐨𝐧: 𝐓𝐡𝐞 𝐈𝐦𝐦𝐨𝐫𝐭𝐚𝐥 𝗪𝐨𝐫𝐥𝐝 𝐓𝐨𝐮𝐫 𝐏𝐫𝐨𝐦𝐨 𝐓𝐞𝐞

21/05/2026

From indie darlings with Kimi Tsunagi Five M (2003) to dropping Sol-fa (2004), they cemented themselves as one of the defining Japanese alt-rock bands of the 2000s.

2005 was a wild year for Asian Kung-Fu Generation.

The “Re:Re:” tour takes its name from the 8th track on Sol-fa. While technically an album tour, Gotoh explained it as a “reply to a reply” , their response to the energy and support fans gave them on the previous run.

Even cooler is where the tour began: Shimokitazawa Shelter. Back in their early days, Shelter was the only Tokyo live house where they actually passed an audition, despite Gotoh saying they were terrible. It became the place where AKFG truly began playing in front of real audiences.

By 2005, they were already selling out Budokan. Yet even there, they recreated Shelter’s iconic black-and-white checkered floor on stage. That says everything.

Sol-fa was huge, hitting #1 on Oricon and moving over 600,000 copies in weeks. “Rewrite” became immortal as Fullmetal Alchemist’s 4th opening, because if you grew up hearing 消してリライトして while Edward Elric launched himself into chaos, you already know.

And “Re:Re:” found a whole new life 12 years later as the opening for the anime ‘Erased’, introducing AKFG to another generation.

For me though? Kimi no Machi Made might be the real MVP. That opening guitar riff alone deserves worker’s compensation. Easy top-tier AKFG alongside Solanin and Korogaru Iwa, Kimi no Asa ga Furu.

And because legacy has a funny way of looping back, both Re:Re: and Korogaru Iwa... resurfaced in Bocchi the Rock! A series whose band members’ surnames reference AKFG themselves, with a Shimokitazawa live house inspired by Shelter.

Sol-fa really is timeless. Sounds like youth, anxiety, hope, and train rides home somehow.

𝟐𝟎𝟎𝟓 𝐀𝐬𝐢𝐚𝐧 𝐊𝐮𝐧𝐠-𝐅𝐮 𝐆𝐞𝐧𝐞𝐫𝐚𝐭𝐢𝐨𝐧 𝐑𝐞:𝐑𝐞 𝐓𝐨𝐮𝐫 𝐓𝐞𝐞

Address

635 Veerasamy Road #01/148
Singapore
200635

Opening Hours

Friday	12:00 - 19:30
Saturday	12:00 - 19:30
Sunday	12:00 - 19:30

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