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Inside the homes of the 'new naturalists'How the eclectic collections that combine botanical know-how and creativity are...
17/06/2022

Inside the homes of the 'new naturalists'
How the eclectic collections that combine botanical know-how and creativity are bringing nature indoors. Dominic Lutyens takes a glimpse into the collectors' intriguing worlds.
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Homes filled with objects culled from the natural world – from gnarled bones and flamboyant feathers to twisted twigs and taxidermy – are increasingly common, as a new book highlights. The New Naturalists – Inside the Homes of Creative Collectors by Claire Bingham features domestic interiors adorned with objects casually picked up in parks or on beaches or acquired at flea markets and fairs. "The book looks at homes from all over the world – different collections and aesthetics – with each story bound to one person or couple's obsession for collecting, and a magpie urge to acquire," Bingham tells BBC Culture.

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This fascination with natural history has its historical precedents, she points out: "There's a long history of collecting from nature. In the 16th Century, a craze for shells saw wealthy European landowners charter ships to the New World to bring back items of curiosity." An early example of the phenomenon in the UK is the 17th-Century, shell-lined underground grotto at Woburn Abbey, Bedfordshire. "Collecting isn't just driven by science or a desire to catalogue. It's also about an appreciation of beautiful forms," adds Bingham.

Over two nights 100 years ago, a single event transformed one of Spain's national art forms. Brendan Sainsbury explores ...
18/05/2022

Over two nights 100 years ago, a single event transformed one of Spain's national art forms. Brendan Sainsbury explores how the Concurso de Cante Jondo created a myth that endures today.
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One hundred years ago, on a sultry June evening in 1922, a couple of days before the moveable Spanish feast of Corpus Christi, a stream of colourfully attired guests began to file expectantly into the Plaza de los Aljibes in Granada's Alhambra. They were arriving for the Concurso de Cante Jondo, a flamenco singing contest that had been organised by the Andalucian composer Manuel de Falla in collaboration with a small circle of artistic luminaries that included the playwright and poet Federico García Lorca and the artist Ignacio Zuloaga.

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It would have been clear to anyone in the audience that night that they were about to witness something historic and out of the ordinary. The plaza had been decorated with ornate tapestries and aromatic plants. Antique lamps glowed against the rust-red walls of the Alcazaba, the Alhambra's 13th-Century fort, while down below, amid the slender cypress trees, women dressed in lace-trimmed shawls mingled with men in velvet jackets and Andalucian hats as they waited for the performances to start.

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