01/13/2025
As a freelance photographer for a music magazine, I have visited many venues, and I've shot many great artists. I've also dealt with many types of audience members while trying to do my job and simultaneously not get in the way too much.
I've been cussed at, tripped, pushed and threatened. But I've also been treated like a queen. It balances out.
For those audience members who don't get it, I am the lens of familiarity between the artist and the world. How I present them to our global readership is critical to them.
The article I write about them is their story to the world. I'm just relaying the message they want people to know.
I'm not their buddy, or pal (although I have become such with many of my subjects). I'm there because of what I offer. Therefore, I strive to offer the very best quality.
I keep my gear maintained and ready. I communicate with the venue and the artist to gain acceptance when I need to cover something.
I go to venues small and large, fancy and not - whether I can normally afford to be there or not. Sometimes I stand for hours with no seat, watching people eat food that I can't buy, while sipping my watered down tea between positions.
A lot of times, the venue owner or manager ignore me. Sometimes the artist on stage ignores me.
Why am I constantly moving and taking so many shots? A concert is a lot like like a football game. Just like a sports photographer stays ready for the next intercept, kick, tackle or touchdown, I stay ready for "that" expression, hair toss, jump, drumstick twirl, crowd interaction, etc.
The better the shot, the better chance I have of it being used. Photo credit on a global scale is a hefty paycheck for a freelancer - and might be accompanied with very little money.
So why do all this if it doesn't pay a lot? It's a passion more than a job. It's an addiction - chasing the best shot is like chasing a hit of speed. And when you do catch it, you've won. That shot keeps you in the game. It tells people you are justified to be there. And it gives you leverage when you charge for private shoots.
Having said all of that, I wish to express my sincere gratitude to the owner, management and staff of 1852onAustion in Jefferson, Texas. Their gracious hospitality and level of professionalism is unmatched in the industry.
Not only was I invited twice in a 10-day period, but I was fed the most delicious food I've eaten in a while. I thoroughly enjoyed the NYE party, and getting to know them through the interviews.
And the artist - Wes Jeans - isn't just another musician. He's one of those who truly has become a friend (along with his sweet wife), and he opens up because he knows I won't print anything he says not to. He has never ignored me, and it means a lot.
These people make being a freelancer worth it. Ill never not be grateful.