The Mestizo

The Mestizo Where heritage moves forward. Bespoke, by request. As seen in Vogue, VMan SEA, Tatler, Harper’s Bazaar, LA & Vancouver Fashion Week.

06/06/2026

The Miri Dress. Blush brocade and soft tulle, with hand-applied beadwork that reveals itself slowly.

Made to be kept. Maison Mini, by The Mestizo.

06/05/2026

The Bohol Barong, in Cloud Silt. Across the front, dark monochromatic embroidery traces the Tarsier, Bohol’s native emblem, in lines that reveal themselves slowly.

Texture without contrast. Movement without display.

Modern Filipiniana, made in small runs.

06/04/2026

The Dahlia Bolero, in Wisteria Veil. Structured butterfly sleeves hold the architecture; sampaguita-inspired embroidery, layered lavender on ivory, set entirely by hand.

Offered in two editions: Classic, and a hand-embellished version with beadwork that shifts gently in the light.

The architecture of modern Filipiniana.

05/31/2026

A barong that doesn’t wait to be introduced.

Cocoon silk. Espresso and ash blue. The kind of detail you notice from across the room — and remember after you leave it.

The Bourbon. A modern Filipiniana study by The Mestizo.

05/30/2026

One textile. Woven in the mountains of Abra. Cut into a blazer and left exactly as it is.

Sometimes the fabric is the entire conversation.

The Elaine. Emberwood. A modern Filipiniana study by The Mestizo.

05/25/2026

The center of this barong is open. No embroidery. No detail. Just you.

The rest is there to make sure you’re the first thing they see.

The Linea Form. A modern Filipiniana study by The Mestizo.

05/24/2026

The shoulder carries the design. Suede on the body. Handwoven textile on the sleeves. When she moves, only the sleeves move with her.

That contrast is the architecture.

The Allegra. A modern Filipiniana study by The Mestizo.

05/23/2026

Before piña becomes fabric, every fiber is knotted to the next one by hand. One by one. No machine has ever replicated this step.

The Neso. Piña silk. A modern Filipiniana study by The Mestizo.

References:
- Philippine Folklife Museum Foundation. (2023). History and Origin of Piña.
- Taylor & Francis. (2025). An Update on Pineapple Leaf Fibers. Peer-reviewed.

05/14/2026

Listen.
The Philippine national flower doesn’t grow in neat rows. It grows along fences, outside churches, in gardens — scattered, unhurried, wherever it wants.

That’s how we placed it on the Marites. Pearl by pearl. Bloom by bloom. Exactly where it wanted to be.

A modern Filipiniana study by The Mestizo.

References:
-Bacud, S. et al. (2014). Procedia - Social and Behavioral Sciences (ScienceDirect).
-Proclamation No. 652 (1934). Philippine National Flower.

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3308 Helms Avenue
Culver City, CA
90232

Opening Hours

Tuesday 12pm - 6pm
Wednesday 12pm - 6pm
Thursday 12pm - 6pm
Friday 12pm - 6pm
Saturday 12pm - 6pm

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