4tify

10/29/2026

We are love now on European Commission International Bioeconomy Solutions Provider Website!

The International Bioeconomy Solutions Library (IBSoL) is a global platform showcasing solutions to bioeconomy challenges. Developed through international collaboration, IBSoL aims to facilitate knowledge sharing, promote innovative approaches and support the transition towards a sustainable and cir...

10/12/2026

Circular fashion for a sustainable future.

09/28/2026

Xymbioz Bio-leather from 4tify is now certified fully biobased by USDA.

09/14/2026

We are hiring .
Please write in with resume, [email protected]

Qualifications:
Diploma in Engineering major in Textile, Chemical, Bio-Process and Biomaterials.

Work Location , Valdor IE, Penang, Malaysia.

09/13/2026

We are global top 5 startups ! Than you for the honor!
We will keep building for the future.

09/13/2026

Invited by the EU EC to be part of the global library of Bio-Process materials featuring our proprietary technology of biodegradable and recyclable materials for textile and fashion.

05/28/2026

4tify Bio-leather Featured In Taiwan Museum.

喜歡看展、拍美照，或是對永續生活感興趣的朋友們，你們勞動節連假打算去哪裡走走呢？
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📣 快來 臺中市纖維工藝博物館，一次可以觀賞到兩種截然不同的美！
除了華麗精美的「平埔原住民十字繡展」外，在另一頭的 1C 展區還有一個神祕又充滿哲學氣息的超酷展覽強勢登場！
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🌿 《另一種採集思考：廢棄再生、精計用餘與允許消失》
當鳳梨渣遇見建築美學
如果你以為纖維只是布料，那這場展覽絕對會翻轉你的想像！來自馬來西亞的華裔建築師 張文婷 (Wendy Teo)，把腦筋動到了「鳳梨渣」上
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🍍 鳳梨做的皮？：
創作者利用鳳梨渣，加入細菌與酵母發酵，竟然能夠生成出像皮革一樣韌性強、還能防火的 「生物皮革」！
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📐 建築師的摺疊藝術：
從本館館藏的「插箕」作為出發點，呼應相互交錯的竹籐，張文婷用折疊切割的方式，將平面皮革變得像蛇鱗一樣折疊、交錯，變成了超有律動感的立體藝術品！
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❤️ 浪漫的「允許消失」：
生無皮革最特別的是，它們會隨著時間和環境慢慢分解，最終回歸自然。這不只是藝術，更是一種對地球最溫柔的告白。
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展覽名稱｜《另一種採集思考：廢棄再生、精計用餘與允許消失》
展覽日期｜115年4月18日 至 7月31日
展覽地點｜臺中市纖維工藝博物館 1C展廳
創作者｜張文婷 ​
策展人｜楊偉林
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💡 為什麼你一定要來？
看著原本要被丟掉的農業廢料，在創作者手中變成像藝術品般的結構，真的會被這份「永續精神」感動到！
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趁著連假約上好友一起來纖維工藝博物館～
✅ 欣賞 平埔族的十字繡 的繁複之美
✅ 感受 生物皮革 的再生奇蹟
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一靜一動、一傳統一當代，快來跟我們一起探索纖維的無限可能吧！
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#臺中市纖維工藝博物館 #另一種採集思考 #張文婷 #廢棄再生 #永續環保 #鳳梨渣 #生物皮革 #台中景點 #文青必去 #纖維藝術

04/24/2026

Another Mode of Gathering

Post-use regeneration, calculated use of off-cuts, and allowing disappearance.

Now on view at the Taiwan Museum of Fiber Arts Museum of Fiber Arts, Taichung, Taiwan

The material used here is a plant-based leather grown from pineapple waste, developed with Bioeconomy Corporation and 4tify.

It is formed through fermentation, can be used, and will eventually return to nature.

In this process, form is not created, but allowed to emerge. I act as a coordinator of conditions, working with material, time, and intention.

This work is not a fixed object, but part of a cycle, from generation to transformation, and back again.

04/23/2026

Profiled in Padang & Co 2025 Southeast Asia Green Economy Landscape Report.

The report maps and analyses leading startups and SMEs shaping the green economy across Southeast Asia, highlighting sector trends, innovation themes, and ecosystem developments across key markets.

You can download it here: https://www.padang.co/seagreeneconomy