Melissa Hefferlin Studio

Melissa Hefferlin Studio An American painter, born in the 60's, Russian and American trained in Realism. Hefferlin divides her time between Andalusia, Spain and the USA.

Melancholia, oil on board, 12 x 16 inches, 2026, has just arrived at Cutter & Cutter Fine Art and has also been long-lis...
09/06/2026

Melancholia, oil on board, 12 x 16 inches, 2026, has just arrived at Cutter & Cutter Fine Art and has also been long-listed for the Almenara Prize in Córdoba, Spain.

I saw this little clay figurine in the studio of Pavel Kudelich, and he graciously gave her to me. I’ve treasured her teenage slump ever since. Here, I gave her some Florentine paper, lemons, and two lapine companions. Behind her is my beloved Kirgiz or Lakai fuchsia pink bag.

She is melancholic, but in fact, her life is filled with friends and beauty, and surely her discouragement will be temporary.

Indulge me in more happy memories from our beloved jazz club in Palermo, Art Tatum, near Piazza Pretoria. With you as my...
09/03/2026

Indulge me in more happy memories from our beloved jazz club in Palermo, Art Tatum, near Piazza Pretoria. With you as my witness, I swear to you and to myself to sketch more. It's so much fun, and so powerful for remembering later.

I don't draw enough. When I do sketch from life, the results vary, but I am always so happy that I did so. The memory th...
09/01/2026

I don't draw enough. When I do sketch from life, the results vary, but I am always so happy that I did so. The memory that is derived from sketches is so much more potent for me than from photographs. (Palermo)

08/30/2026

"Feria," the county-fair-like tradition of Spain, has been a huge inspiration to me over the last 15 years. I was invited twice to participate in the equestrian promenade, and I'l never forget it.

 Two paintings I am proud of, though the subject matter and method sit well outside my usual practice.Each panel is esse...
08/27/2026



Two paintings I am proud of, though the subject matter and method sit well outside my usual practice.

Each panel is essentially a visual biography; decades of a family and a business condensed into a single frame. You'll find portraits of specific people at different ages, period vehicles and buildings, product packaging, moments from the company's history, all composed to be read like a story rather than a scene.

I paid my way through my first two years of art school by working in the McKee Foods art department, on the team that designed packaging for Little Debbie and Sunbelt snacks. I went to school with members of the family, and I count them as friends to this day. When Jack McKee asked me to paint two panels reflecting the history of their family business from the Great Depression to the present, I was deeply honored.

The paintings hang in the Erlanger Children's Outpatient Hospital in Chattanooga, Tennessee, the city where McKee Foods was founded.

A Boy Named for a Cookie and A Cookie Named for a Girl. Oil on canvas, each 40 × 80 inches, 2020.

"Harvest"  Watercolor on paper, 9 x 12 inches, 2026.     What is it about an abundance of fruit, especially lemons, that...
08/25/2026

"Harvest" Watercolor on paper, 9 x 12 inches, 2026.

What is it about an abundance of fruit, especially lemons, that brings so much delight? We picked these together, and stacked them up on a favorite platter. I loved the pile of yellow so much that I sat down with my sketchbook and just played, trying to grab at least an impression of the seemingly limitless expressions of "yellow."

Three, Almost of a Kind. Oil on linen, 21.5 x 26 inches. 2026.I enjoyed every stage of this one, including the weird fro...
08/23/2026

Three, Almost of a Kind. Oil on linen, 21.5 x 26 inches. 2026.

I enjoyed every stage of this one, including the weird frontal lighting.

In the past I have avoided mixing different styles of rabbits in the same composition. Here I decided to throw them all together and see what happened. They didn't exactly cozy up to one another. But I am sensing a camaraderie among them.

Decades ago I had a private student we will call "A." She was an absolute delight to teach, patient with my twenty words...
08/20/2026

Decades ago I had a private student we will call "A." She was an absolute delight to teach, patient with my twenty words to her one, quick to learn, and someone who genuinely loved making things and drinking cappuccino.

When our time together ended and she headed to university, she gave me this teapot: hand-made in Japan, in the most luscious of blues. Sometimes cerulean, sometimes violet. Its two rounded forms are a pleasure to draw.

I have been painting that teapot for more than twenty-six years. A is coming to visit us in Europe next month. Both have worn well.

Waterfront Celebration. Oil on canvas, 72 × 72 inches, 2005.Summer has me thinking about rivers and swimming. Which remi...
08/18/2026

Waterfront Celebration. Oil on canvas, 72 × 72 inches, 2005.

Summer has me thinking about rivers and swimming. Which reminded me of the Tennessee River. When then-Mayor Bob Corker's administration renovated Chattanooga's riverfront around 2004 and 2005, they launched a competition for a commemorative painting. I won the commission, and created this oil painting for them.

The composition represents sky, earth, and river, celebrating the architecture, activities, and history of the area. With permission, I incorporated Cherokee symbols from those installed in the Riverfront Park.

The painting hangs today in City Hall.

08/16/2026

Red is never just red.

Address

25 King Street
Saint Augustine, FL
32084

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