Quibblers & Scribblers

Quibblers & Scribblers Writer-filmmaker James Killough and friends rewrite fictions that drive the world. Storytellers rewriting fictions that drive the world.

10/14/2024

Q&S CAST is our new video podcast, the third pillar supporting the Quibblers & Scribblers platform alongside Q&S POST (the Substack newsletter) and Q&S SHOP (the concept store). The pilot episode, "INDIA MODERN," is a visually rich conversation between host James Killough and designer Tarun Tahiliani, a.k.a "godfather of Indian fashion."

Friends for over three decades, they'll revisit the first true Indian fashion show at Tarun's Mumbai boutique in 1988, which James attended, and the culture-changing explosion of fashion across India that followed; swap personal anecdotes about uber-muse Isabella Blow and her American eccentric-aristocrat counterpart, designer Mary McFadden; and explore the broader context of "India Modern," how that might reframe the excesses of the Ambani wedding.

Premiering next Tuesday, October 22, on Spotify, YouTube and Substack.

Check out the promo and let us know what you think.
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TRANS-FORMANCEI'd never seen the cosmic female-male yin-yang relationship performed by two men in Bharatanatyam before t...
07/16/2024

TRANS-FORMANCE

I'd never seen the cosmic female-male yin-yang relationship performed by two men in Bharatanatyam before this video posted a few months ago. The thillana rhythmic portion at the climax of a performance is one of the many Indian things I find moving and awe-inspiring.

It reminds me of when I was staying at Darpana Dance Academy in Ahmedabad visiting Malika Sarabhai in the early 90s. Malika was the only Indian performer in Peter Brooks' astounding 13-hour stage performance of "Mahabhatara," a huge influence on my decision to let go and embrace India.

There was a pavilion in the middle of the compound's courtyard with a polished cement floor, a tabla player and a singer-instructor sat cross-legged on the side tapping time on a wood block, "Tum tak tak tei tik tik tatta tei..."

Maybe 2 dozen girls and one teen boy were divided into four age groups, barefoot with ankle bracelets of bells.

The 4-to-7 group began, hands on hips, lightly stomping, simple tentative steps. The next group rotated in, and the next, increasing in age, proficiency and confidence, feet pounding harder, ankle bells calling down the gods with more emphasis.

The singer-instructor picked up pace with the tabla and five teens — those who'd stuck it out through the years it takes to learn Bharatanatyam, whittled down from a larger pool of children — leaped in, boy in the middle, and threw every hormone of their adolescent energy into dancing as the gods.

It was all I could do not to yell "Olé!" at the end — flamenco eat your gypsy heart out.

Few men perform any variant of Indian classical dance, except for a martial arts version called Chhau, so clunky and macho by comparison it makes me embarrassed to be a man.

It's mildly interesting that the man in the female role in this video is playing Shakti/Durga/et al., Shiva's full-time consort, rather than Mohini, the avatar of Lord Vishnu transformed into the ultimate vamp who seduces Shiva and gives birth to a child, Lord Ayyappa, whose vehicle is a tiger.

— James

||ARDHAGAURISHVARA||On the occasion of Mahashivratri 🔱"Embracing the cosmic rhythm, our dance becomes a sacred offering to the eternal union of Shiva and Sh...

So fu**ed. So fu***ng fu**ed.____
07/03/2024

So fu**ed. So fu***ng fu**ed.
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Paris 2024 is already the best Olympics of my lifetime. And a couture logo I can get behind. Very rare.____
06/26/2024

Paris 2024 is already the best Olympics of my lifetime. And a couture logo I can get behind. Very rare.
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Only one of these movies, 'Bikeriders,' was marketed properly to someone the algorithms know is an old-fashioned movie-t...
06/22/2024

Only one of these movies, 'Bikeriders,' was marketed properly to someone the algorithms know is an old-fashioned movie-theater goer; i.e., I see it at least 7 times across various sites. The rest I'd never heard of until I happened on this listicle tucked way at the bottom of the NY Times homepage.

This is so basic. These films have no chance if all the marketing they get is festivals, reviews in elite outlets with paywalls, and barely read critics' listicles. Yet they are likely the future of theatrical.

Surrender, Dorothy.
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Part 2 of James Killough's series about the Indian caste system is stomping the views and engagement stats of every othe...
06/14/2024

Part 2 of James Killough's series about the Indian caste system is stomping the views and engagement stats of every other piece he's written for the Q&S Substack since its launch in February 2023. This bodes well for interest in the forthcoming Q&S video podcast, focusing on Killough's experience of modern India from the unusual perspective of an Anglo-American New Yorker who has been deeply embedded in the culture and social framework for the past 35 years.

Link in comments.
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Just as I was about to give up and embrace self-help listicles, today's Q&S post about the caste system stomped the prev...
06/10/2024

Just as I was about to give up and embrace self-help listicles, today's Q&S post about the caste system stomped the previous two posts in under 10 hours, surpassing what they've done over months.
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Because Brits are more creative; more articulate and provocative conversationalists; far less conformist for such a clas...
06/08/2024

Because Brits are more creative; more articulate and provocative conversationalists; far less conformist for such a class-obsessed culture; "scrappy" af, as this article points out; and have no problem stepping on someone else's toes — they're so polite about it, Americans think they're being given a boost.

I've already given my breakdown of why British actors are so in demand that it wouldn't surprise me if the major agencies station recruiters outside the chapel at Eton on Leavers. Basically, Americans are so fixated on developing themselves as a sacred lead character that they've no room left for others.
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Link in comments.

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